Movie Name : The Greatest of All Time
Release Date : September 05, 2024
Cast : Vijay, Prashanth, Prabhudeva, Jayaram, Laila, Sneha, Meenakshi Chaudhary, Kokila Mohan, Yogi Babu, VTV.Ganesh, Aravind Akash, Premgi Amaran etc
Director : Venkat Prabhu
Music Director : Yuvan Shankar Raja
Telugumopo.com Rating : 2.5/5
Story:
Gandhi (Vijay), an immigration officer in Chennai, is unexpectedly thrust into a whirlwind when a diplomatic mission to Moscow brings about a life-altering revelation. As the story progresses, the mysterious link between Gandhi and Jeevan (also Vijay) comes to the forefront, weaving a layered and complex narrative. At the center of the drama are Gandhi’s wife, Anu (Sneha), and Jeevan’s love interest, Srinidhi (Meenakshi Chaudhary), whose roles become increasingly crucial as the mystery deepens. The way these relationships intersect forms the foundation of the film’s gripping and engaging storyline.
Review :
Vijay delivers a standout performance in The GOAT, impressively taking on dual roles that charm both his fans and moviegoers. He portrays his older self with a fitting sense of maturity, while his younger counterpart bursts with vitality, charisma, and flair, energizing the screen. His performance is filled with his signature mannerisms, emotional range, and expressive nuances, all while performing high-octane stunts with ease, keeping the audience thoroughly entertained.
The supporting cast makes the most of their limited screen time and contributes meaningfully to the film. Sneha delivers a strong performance as Vijay’s wife, and Meenakshi Chaudhary effectively portrays his love interest. Prabhudeva, Prashanth, Jayaram, Ajay, and Laila handle their roles competently, supporting the storyline. As a special treat, Thala Dhoni makes a surprise appearance in the climax, providing a memorable moment that will excite fans.
The GOAT turns out to be fairly predictable, offering little in the way of new ideas. The first half is sluggish, weighed down by outdated family and comedy scenes that can feel awkward and disengaging. It’s only towards the end of the first half, with the introduction of Vijay’s younger version, that the film starts to generate some excitement and raises hopes for a more engaging second half.
Unfortunately, Venkat Prabhu falters again, as the film gets bogged down by unnecessary flashback sequences that disrupt the story’s momentum. Despite Vijay’s efforts to inject depth with his emotional acting and high-energy stunts, the film loses its pace. While Dhoni’s appearance in the pre-climax briefly reignites interest, the drawn-out climax fails to deliver, ultimately undermining the anticipation that had been built.
Venkat Prabhu falls short in storytelling, screenplay, and direction. Yuvan Shankar Raja’s background score is particularly disappointing, failing to make a memorable impact. The songs are similarly unremarkable, lacking in charm or significance. The dialogues are serviceable, and although the production values are decent, they do little to enhance an otherwise underwhelming film.
In summary, Venkat Prabhu had a prime opportunity to cement Thalapathy Vijay’s status as The GOAT on screen, but despite Vijay’s exceptional performance, he squandered it with a weak story and a disjointed, incoherent screenplay. Even with potential script adjustments, the result would likely have remained disappointing. The film’s inconsistent direction and trivial elements make it a challenging watch, even for devoted Vijay fans, who may find it hard to embrace GOAT due to its significant flaws and lack of depth.
