Movie Name : K-Ramp
Release Date : Oct 18, 2025
Cast : Kiran Abbavaraam, Yukti Thareja, Vennela Kishore, Muralidhar Goud, Saikumar, Naresh etc.
Director : Jains Nani
Music Director : Chaitan Bharadwaj
Telugumopo.com Rating : 2.5/5
Story:
Kumar (played by Kiran Abbavaraam) is the spoilt son of a business tycoon, Krishna (Sai Kumar). Brought up in love after the death of his mother, Kumar is brought up with a mischievous and playful nature. Worried about his son’s mischievous ways, Krishna takes the decision to send Kumar to Kerala to study with his friend. His uncle (Naresh) and other relatives also live nearby.
One night, after drinking too much, Kumar ends up in a nightmare on the streets and is saved by a woman named Mercy (Yukti Thareja). Kumar quickly starts liking Mercy, and eventually, Mercy begins to like Kumar back. Shortly after Kumar has found happiness again, he discovers a deep issue that Mercy is grappling with about herself. This begins a completely unexpected downturn in Kumar’s life. What is the struggle for her? How does it impact Kumar? What does Kumar do about it? To answer those questions, watch the film.
Review:
Kiran Abbavaraam captivates the attention of the audience with his performance playing the carefree, fun-loving lead targeted at the youth. He has strong comic timing along with infectious energy – especially in the second half of the film!
Yukti Thareja, the heroine, has an important role but fails to give a performance that stands out. Her glamour is obvious, but her acting is not deep enough to really make her character come alive. The director’s emphasis on bringing her out as glamorous at the cost of character development makes her role less authentic.
Muralidhar Goud injects a welcome sense of humor, offering some relief from the light-heartedness. But Naresh’s character is disappointing, not making any significant contribution and many times turning out to be an irritant instead of a comic element.
Sai Kumar does an acceptable job as a father and injects some dignity into the movie, while Vennela Kishore is limited in his screen time, but his sense of comic timing is excellent and he takes good advantage of this limited time. The other supporting cast does fairly well but does not impress.
The first half of the film suffers from predictability. The comedy is stale, and the hero’s antics, although meant to be humorous, are not substantial enough to interest the viewer. His romance with the heroine, though pivotal to the story, is predictable and doesn’t create the expectation required of a mass entertainer. But a twist in the second half of the film shakes up the story and makes the second half more interesting. The humor improves, the tempo gathers, and the general tone of the movie becomes more lively, making the second half more entertaining.
Chaitan Bharadwaj’s music in K-RAMP is below par, with the songs not making a lasting impression. The background score, however, does its job well to establish the mood of the scenes. Sateesh Reddy Masam ‘s camera work is good, capturing the frames well, and the production values are good, adding to the glossy look of the movie.
Director Jains Nani, in his first outing, takes a comedy-based storyline, and though the story is effective to a certain extent, his handling comes across as loud at times and, on occasion, less than engaging to delve deep into. Yet, he is able to pull off comedy scenes, which connect with the youth, and present a good, entertaining experience for the audience.
Overall, K-RAMP gets better as it goes along. The beginning might test your patience, but the humor, playfulness, and unpredictability of the second half certainly make the film enjoyable even if it is not breaking any radical new ground. If you like light-hearted mass audience comedies, then K-RAMP is a fun experience and delivers on its word.
