Movie Name : Janaka Aithe Ganaka
Release Date : October 12, 2024
Cast : Suhas, Sangeerthana Vipin, Vennela Kishore, Rajendra Prasad, Murali Sharma, Goparaju Ramana etc.
Director : Sandeep Reddy Bandla
Music Director : Vijai Bulganin
Telugumopo.com Rating : 2.5/5
Story:
Prasad (Suhas) is a young man hailing from a middle-class household, happily living with his wife, parents, and grandmother. He frequently pokes fun at his father (Goparaju Ramana). To provide for his family, Prasad works in the sales and service department of a washing machine company, juggling long work hours with late-night drinking sessions alongside his friend, lawyer Patti Kishore (Vennela Kishore).
In a world where expenses are skyrocketing, Prasad and his wife (Sangeerthana Vipin) agree to avoid starting a family, believing it would be too challenging to raise children under their current financial conditions. However, after celebrating two wedding anniversaries, Prasad is taken aback to discover that his wife is pregnant. Conflicted and bewildered, he questions how this could happen despite their precautions. In a fit of frustration, he decides to file a lawsuit against the condom company he relied on for ₹1 crore.
What challenges will Prasad encounter as he navigates the court system? How will his family and society react to his predicament? Will he succeed in his legal battle? Even with safety measures in place, how did his wife end up pregnant? Is this lawsuit solely motivated by this incident, or are there underlying issues at play? To uncover the answers to these intriguing questions, audiences will have to watch the film.
Review:
Suhas embraces a unique role in this film, portraying the life of a struggling middle-class youth who is determined to stay afloat amidst financial challenges. His character experiences a whirlwind of emotions when he unexpectedly learns of his wife’s pregnancy, and Suhas effectively captures the blend of anxiety and disbelief that accompanies this revelation. His performance is rich with varied expressions, showcasing the complexities of his character’s journey. With a natural ease in delivering his lines, Suhas brings authenticity and depth to his role, making it a memorable experience for the audience.
Sangeerthana Vipin effectively portrays a loving and supportive wife, always ready to stand by her husband. She skillfully communicates her feelings of frustration and anger when he makes an unexpected choice, adding depth to her character. Goparaju Ramana delivers a solid performance as the typical father, balancing concern and affection, while Murali Sharma impresses as the attorney, infusing his role with authority and gravitas. Together, their performances elevate the film’s emotional impact, resulting in a captivating and engaging story.
Rajendra Prasad and Vennela Kishore added a comedic touch to the film with their delightful mannerisms and clever dialogue delivery, creating numerous laugh-inducing moments.
Sandeep Reddy Bandla crafted an engaging tale about a young man’s decision to avoid fatherhood because of rising costs and how he copes when his life takes an unforeseen turn. The story unfolds in a lighthearted and entertaining way, but this method resulted in a few logical gaps along the way.
He strayed from the central storyline, seemingly to avoid delving too deeply into adult themes and condom-related topics. The courtroom sequences appear to be included mostly for comedic effect, without much regard for logical coherence. As the plot unfolds, it begins to feel monotonous, potentially challenging the audience’s endurance.
Vijay Bulganin’s soundtrack is satisfactory, and the background score complements the storyline effectively. Nevertheless, the film’s pacing suffers due to numerous repetitive scenes. The production values are quite impressive.
Janaka Aithe Ganaka tries to deliver as a family entertainer but doesn’t quite hit the mark. While Vennela Kishore’s comedy might strike a chord with the youth, the film’s lighthearted humor feels too simplistic to appeal to a broader audience. The lack of engaging narrative and a slow, dragged-out second half weigh down the film, leaving it less impactful than intended.
